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July 31st, 2010
So my journey into the book “Structural Functions of Harmony” by Arnold Schoenberg is still in it’s infancy, as I’ve only conquered a few pages. But it has forced me to obtain a greater understanding of borrowed chords, Basso-Continuo, Figured-Bass and other eclectic music theory stubs. Why is this important? Well, although it is possible to stumble upon some really cool, neat song ideas, the fact is, you’re always going to feel like a blind man in the dark looking for the right notes in your head. With music theory, you can write better songs, and write more efficiently. From my experience, I can certainly tell you that studying music theory is the one aspect nearly all serious musicians tend to ignore. Most musicians tend to go straight for the fun stuff – techniques and soloing without realizing that by learning the math behind the music, they can essentially make all their tasks much easier. Imagine what it would be like to know a recipe will taste great before you’ve purchased any ingredients, or the confidence of knowing a vehicle will run perfectly without even taking it for a test drive. This is essentially what music theory allows you to do – weed the good out from the bad in a simple and effective method.
In short, music theory helps you to understand why notes and rhythms sound good together, and thus allowing you to write more intricate and interesting songs. If you’re a musician, just keep in mind practicing doesn’t alway mean sitting down at the piano for an hour, it can easily mean writing out scales, or studying chord theory. Plus, music theory is practical to nearly all instruments making it much easier for you to become a multi-instrumentalist. Make studying music theory a consistent staple of your practice time, and you’ll find yourself growing musically in ways you never thought possible.
Keep Rockin’
Tags: basso continuo, borrowed chords, figured-bass, music theory, why is music theory important, why music theory is important Posted in Blog Articles | No Comments »
July 30th, 2010
Recently I’ve been reading Structural Functions of Harmony by Arnold Shoenberg. Schoenberg was a controversial music theorist and composer who developed his own system for harmonizing music. Essentially he believed in the equality of all twelve tones in music instead of the typical hierarchal thinking we have in tonal music today. Personally, I find his work to be extremely fascinating and it has pushed my to new heights in my songwriting – exploring the dissonant and dynamic with a newfound fervor. The interesting thing is, the higher up the musical food chain you go, the less pop and structured your music becomes, so while other musicians might praise your new song as being ground breaking and pushing the envelope, less educated people might find it annoying, crass, and absurd.
I do think there is a balance to walk when songwriting – a balance between genius and elementary. Often, for advanced musicians, the difference between these two disparate concepts is but a small step. Almost as if an artist may become so artistic and creative, that he comes full circle to producing music that lacks strong resolution, and thus leaves his audience feeling empty and confused.
As I read this book, I find it very eye opening to new ideas, but certainly a side of me is compelled to play within the box. I guess every musician must find his own path and let the song tell you where it wants to go. In short, I believe every musician should learn more music theory, as it will ultimately help define your music – to break the rules, you must first learn them. However, all musicians need to skillfully balance technique, and theory so as to not alienate their audience.
Keep Rockin’
Tags: arnold schoenberg, music theory, songwriting, structural functions of harmony Posted in Blog Articles | No Comments »
June 8th, 2010
Statistics show artists have a higher chance of being bi-polar. I believe that. I don’t think I’m bi-polar, cause I’ve seen bi-polar, but I’m probably more emotional than most. You see I have this theory that real musicians experience emotions on a deeper level than the general public. This is not to say your emotions are mere imitations or shallow, but just to say from my experience, it seems like many musicians are emotional and feel a stronger intensity of emotion than Average Joe. I’m not sure what causes it, but I do know what to call it: The Musician’s Curse. Why is it a curse you ask? Let me give you an example.
As a songwriter, most of my songs are based around artifacts of my life – people, places, events, etc. I’m not one to brag, but I’ve had many people mention how cool/great/interesting my songs are. In fact, I’ve had students request to learn some of my songs, and I’ve heard people humming my songs after they’ve heard them. On the one hand, my intense emotions allow me to write beautiful masterpieces of song, and to explore the depths of pain, fear, grief, anger, despair, hope, elation, love, joy and Serenity in a way I know some may not be capable of. On the other hand, there are times when I could totally live without emotional depth. Like today. My one saving grace is I do at least have a guitar to pour my new-found experiences into, and one day I can look back at this amazing masterpiece, and remember, but not feel. I just wish that day was today.
Tags: emotion, emotions, music, musician, musicians curse, songwriting Posted in Personal Articles | No Comments »
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